Saturday, March 29, 2008
Under the boardwalk Song
Hi everyone! I found one of the songs we are performing for SYF... Under The Boardwalk!!! the URL to go there is :http://www.youtube.com/watch?v=zV6WgRAN9FU
Friday, March 7, 2008
Pre SYF Madness...
Dear APS angklungees,
The SYF is looming up in the horizon..how does it feel? For me the TIC, it has been so very stressful coordinating practices, making sure members turn up, getting rooms, instructors, practice notices etc et ready.. sometimes I feel like giving up. But then again, this reminds me of when I was in military band when I was in pri sch.
We were a newly formed band and were up against so many experienced band that if it wasn't for our determination and drive to get a gold, I think we'd never have made it. I think the most important thing is to BELIEVE you can do it.
So Angklung members, what's your stand? ;)
The SYF is looming up in the horizon..how does it feel? For me the TIC, it has been so very stressful coordinating practices, making sure members turn up, getting rooms, instructors, practice notices etc et ready.. sometimes I feel like giving up. But then again, this reminds me of when I was in military band when I was in pri sch.
We were a newly formed band and were up against so many experienced band that if it wasn't for our determination and drive to get a gold, I think we'd never have made it. I think the most important thing is to BELIEVE you can do it.
So Angklung members, what's your stand? ;)
Thursday, March 6, 2008
More about kulintang:
The kulintang a kayo (literally, “wooden kulintang”) is a Philippine xylophone of the Maguindanaon people with eight tuned slabs arranged horizontally atop a wooden antangan (rack). Made of soft wood such as bayug, the kulintang a kayo is a common found among Maguindanaon households with a musical background. Traditionally, it was used for self-entertainment purpose inside the house, so beginners could practice kulintang pieces before performing them on the real kulintang and only recently have they been performed as part of a “wooden kulintang ensemble.” This ancient instrument is considered to have come to the Philippines before the importation of metallic gongs from China and therefore is considered a precursor to the present-day kulintang.[1]
The kulintang a kayo (literally, “wooden kulintang”) is a Philippine xylophone of the Maguindanaon people with eight tuned slabs arranged horizontally atop a wooden antangan (rack). Made of soft wood such as bayug, the kulintang a kayo is a common found among Maguindanaon households with a musical background. Traditionally, it was used for self-entertainment purpose inside the house, so beginners could practice kulintang pieces before performing them on the real kulintang and only recently have they been performed as part of a “wooden kulintang ensemble.” This ancient instrument is considered to have come to the Philippines before the importation of metallic gongs from China and therefore is considered a precursor to the present-day kulintang.[1]
Welcome to
ANDERSON PRI ANGKLUNG BLOG!!!
Wan to know more about ANGKLUNG???
read on :Angklung is a musical instrument made out of two bamboo tubes attached to a bamboo frame. The tubes are carved so that they have a resonant pitch when struck. The two tubes are tuned to octaves. The base of the frame is held with one hand while the other hand shakes the instrument rapidly from side to side. This causes a rapidly repeating note to sound. Thus each of three or more angklung performers in an ensemble will play just one note and together complete melodies are produced. Angklung is popular throughout Southeast Asia, but originated from Indonesia.
History
The Angklung got more international attention when Daeng Soetigna, from Bandung, West Java, expanded the angklung notations not only to play traditional pélog or sléndro scales, but also diatonic scale in 1938. Since then, angklung is often played together with other western music instruments in an orchestra. One of the first well-known performances of angklung in an orchestra was during the Bandung Conference in 1955. A few years later, Udjo Ngalagena, a student of Daeng Soetigna, opened his "Saung Angklung" (House of Angklung) in 1966 as centre of its development.
In Bali, an ensemble of angklung is called gamelan angklung (anklung). The instruments are tuned to a 5-tone slendro scale, though actually most ensembles use a four-tone mode of the five-tone scale (an exception would be five-tone angklung from the north of Bali, as researched by Ruby Ornstein in the 1960s.) While the ensemble gets its name from the bamboo shakers, these days most compositions for Gamelan Angklung do not use them. An ensemble of mostly bronze metallophones is used instead.
In Hindu period and Padjajaran kingdom era, Sundanese people used the angklung to sign the time for prayer. Later, Padjajaran kingdom use this instrument as corps music in Bubat War (Perang Bubat).
Angklung functioned as building the peoples community spirit. It was still used by the Sundanese until the colonial era (Dutch East Indies, V.O.C). Because of the colonial times, the Dutch East Indies government tried to forbid people playing the angklung instrument.
Because it was forbidden to play angkung during this time, the popularity of the instrument decreased and it came to be played only by children in this era. [1]
[edit] Outside Indonesia
In the early 20th century, the angklung was adopted in Thailand, where it is called angkalung (อังกะลุง). The Thai angklung are typically tuned in the Thai tuning system of seven equidistant steps per octave, and each angklung has three bamboo tubes tuned in three separate octaves rather than two, as is typical in Indonesia.
Angklung had also been adopted by its Austronesian neighbours, inparticularly Malaysia and the Philippines, where they are rather played as part of bamboo xylophone orchestras. Formally introduced into Malaysia sometime after the end of confrontation, it found immediate popularity[2]. They are generally played using a pentatonic scale similar to the Indonesian slendro, although in the Philippines, sets also come in the diatric and minor scales used to perform various Spanish-influenced folk music.
[edit] Further reading
Balinese Music (1991) by Michael Tenzer, Periplus / University of Washington Press .
Can You Shake It? The Angklung of Southeast Asia by Prof. Kuo-Huang Han, School of Music, Northern Illinois University
[edit] References
^ Kompas, 9 November 2006, page 14, column 7
^ http://infopedia.nlb.gov.sg/articles/SIP_843_2005-01-11.html Lay Tin Koh, "Angklung" (1972, December 3). The Sunday Mail, p. 9
[edit] External links
Gamelan Sekar Jaya (excerpt about angklung) from Michael Tenzer's book Balinese Music
Musical sample composed by I Nyoman Windha
Saung Angklung Udjo
Angklung Orchester Hamburg, Germany (2003/2004)
AWI (Angklung Web Institute) in Bandung
Retrieved from "http://en.wikipedia.org/wiki/Angklung"
:
ANDERSON PRI ANGKLUNG BLOG!!!
Wan to know more about ANGKLUNG???
read on :Angklung is a musical instrument made out of two bamboo tubes attached to a bamboo frame. The tubes are carved so that they have a resonant pitch when struck. The two tubes are tuned to octaves. The base of the frame is held with one hand while the other hand shakes the instrument rapidly from side to side. This causes a rapidly repeating note to sound. Thus each of three or more angklung performers in an ensemble will play just one note and together complete melodies are produced. Angklung is popular throughout Southeast Asia, but originated from Indonesia.
History
The Angklung got more international attention when Daeng Soetigna, from Bandung, West Java, expanded the angklung notations not only to play traditional pélog or sléndro scales, but also diatonic scale in 1938. Since then, angklung is often played together with other western music instruments in an orchestra. One of the first well-known performances of angklung in an orchestra was during the Bandung Conference in 1955. A few years later, Udjo Ngalagena, a student of Daeng Soetigna, opened his "Saung Angklung" (House of Angklung) in 1966 as centre of its development.
In Bali, an ensemble of angklung is called gamelan angklung (anklung). The instruments are tuned to a 5-tone slendro scale, though actually most ensembles use a four-tone mode of the five-tone scale (an exception would be five-tone angklung from the north of Bali, as researched by Ruby Ornstein in the 1960s.) While the ensemble gets its name from the bamboo shakers, these days most compositions for Gamelan Angklung do not use them. An ensemble of mostly bronze metallophones is used instead.
In Hindu period and Padjajaran kingdom era, Sundanese people used the angklung to sign the time for prayer. Later, Padjajaran kingdom use this instrument as corps music in Bubat War (Perang Bubat).
Angklung functioned as building the peoples community spirit. It was still used by the Sundanese until the colonial era (Dutch East Indies, V.O.C). Because of the colonial times, the Dutch East Indies government tried to forbid people playing the angklung instrument.
Because it was forbidden to play angkung during this time, the popularity of the instrument decreased and it came to be played only by children in this era. [1]
[edit] Outside Indonesia
In the early 20th century, the angklung was adopted in Thailand, where it is called angkalung (อังกะลุง). The Thai angklung are typically tuned in the Thai tuning system of seven equidistant steps per octave, and each angklung has three bamboo tubes tuned in three separate octaves rather than two, as is typical in Indonesia.
Angklung had also been adopted by its Austronesian neighbours, inparticularly Malaysia and the Philippines, where they are rather played as part of bamboo xylophone orchestras. Formally introduced into Malaysia sometime after the end of confrontation, it found immediate popularity[2]. They are generally played using a pentatonic scale similar to the Indonesian slendro, although in the Philippines, sets also come in the diatric and minor scales used to perform various Spanish-influenced folk music.
[edit] Further reading
Balinese Music (1991) by Michael Tenzer, Periplus / University of Washington Press .
Can You Shake It? The Angklung of Southeast Asia by Prof. Kuo-Huang Han, School of Music, Northern Illinois University
[edit] References
^ Kompas, 9 November 2006, page 14, column 7
^ http://infopedia.nlb.gov.sg/articles/SIP_843_2005-01-11.html Lay Tin Koh, "Angklung" (1972, December 3). The Sunday Mail, p. 9
[edit] External links
Gamelan Sekar Jaya (excerpt about angklung) from Michael Tenzer's book Balinese Music
Musical sample composed by I Nyoman Windha
Saung Angklung Udjo
Angklung Orchester Hamburg, Germany (2003/2004)
AWI (Angklung Web Institute) in Bandung
Retrieved from "http://en.wikipedia.org/wiki/Angklung"
:
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